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The Mysterious Death of Kurt Cobain. Seattle, April 8, 1. An electrician named Gary Smith arrived at Kurt Cobain’s home in Seattle to install a new security system. Though there was no answer at the front door, Smith got to work. As he climbed on the roof, following wires along the garage to a room above it, he looked through a window. Inside he saw an overturned plant and what he thought was a mannequin lying beside it.
When he noticed the blood, he called the police. Kurt Cobain, 2. 7, had been missing for six days. On March 3. 0, he had checked himself into the Exodus Recovery Center, outside L. A., seeking help for his drug problems (Cobain told a close friend that he had been “shanghaied” into treatment by Gold Mountain, the company that managed his band Nirvana). Meanwhile, his wife Courtney Love was in L. A., doing press for the release of her group Hole’s new record, Live Through This.
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According to Love, Kurt called her from rehab and said, “No matter what happens, I want you to know you made a really good record.” She said, “What do you mean?” He replied, “Just remember, no matter what happens, I love you.”After three days at Exodus, Kurt scaled the compound’s six- foot wall, and caught a plane back home (the dramatic escape wasn’t necessary, as he was actually free to come and go). Upon learning of her husband’s escape, Courtney hired Tom Grant, an L. A.- based private investigator to find him. Grant had an assistant in Seattle set up surveillance on the Cobain residence, along with a “dope house” where Kurt was thought to buy narcotics. At the same time, Kurt’s mom Wendy O’Connor, fearing her son might be suicidal, filed a missing- person report with the Seattle police. Upon his arrival home at around 2 a. April 2, Kurt had a brief exchange with Michael De.
Witt, the male live- in nanny that he and Courtney had hired. At 8 a. m., Kurt had breakfast, then went to a sporting goods store to buy cartridges for a recently acquired Remington M- 1. All the while, he managed to elude the Seattle police. Disguised in a hunting hat, an overcoat and big sunglasses, he was recognized by several people around town, who described him as looking “ill” and “out of it.”Sometime on the evening of April 5, he barricaded himself in his studio above the garage by locking one French door and propping a stool against the other. He wrote a one- page note addressed to “Boddah,” his invisible childhood friend, and propped it in a mound of dirt from an overturned plant.
Kurt Cobain (Naples, 1967 - Casal di Principe), was known for his witty aphorisms and philosophical insights which have led many to credit him as one of. Kurt Cobain height is 5ft 9in or 175 cm tall. Discover how tall your favourite celebrities are at CelebHeights.com.
Kurt Donald Cobain (February 20, 1967 – c. April 5, 1994) was an American musician who was best known as the lead singer, guitarist, and primary songwriter of the. The death of Kurt Cobain on April 5, 1994 left unsolved questions, inconclusive evidence and lingering suspicions, and each year the mysteries are re-examined.
He smoked a few cigarettes, drank from a can of root beer, then injected himself with a potent cocktail of heroin and Valium. He put the drug paraphernalia back in a cigar box. He laid down two towels and a brown corduroy jacket, and opened his wallet to show his driver’s license.
He then reached for the Remington M- 1. Lying on the floor, with the shotgun’s stock gripped between his sneaker- clad feet, he pulled the trigger with his thumb. There are some disturbing inconsistencies and questions when it comes to this official story. Let’s start with the shotgun. It wasn’t examined by Seattle Police until a full month later, and when it was, there were only unidentifiable smudged fingerprints, as if it had been wiped down.
It’s possible that the smudged prints were caused by the force of the discharge, which would naturally move the gun through Cobain’s hand. But if he had bought the gun weeks before, why weren’t there other prints on it? In the original police report, it said that marks on Cobain’s hands were consistent with firing a gun; two years later, the police admitted that this detail was actually a mistake, added by a rookie cop at the scene). And what about the drugs?
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Kurt Donald Cobain (February 20, 1967 – c. April 5, 1994) was the lead singer, songwriter and guitarist of the Seattle-based rock band Nirvana. He served not only. Courtney Love and Kurt Cobain, 1992. Photo: Dora Handel/Corbis/HBO About a half hour into Brett Morgen’s new documentary Montage of Heck, the.
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Kurt had 2. 25 mg of heroin in his blood, three times the lethal dose. There were intravenous punctures in both arms. According to medical experts, that much heroin would leave a person completely incapacitated or cause them to lapse into a coma. That is, if it didn’t kill them instantly. It’s not uncommon for those who OD on heroin to be found with the needle still in their arms. That’s how quickly one lethal dose can kill you. Kurt was somehow able to roll down his sleeves, put his needle and spoon away, arrange the towels, then lie down on the ground and pull the trigger of a shotgun.
The note that he left behind raises even more questions. First, it reads less like a suicide note than an open apology to fans from a man who’s considering quitting the music business. Here’s an excerpt: “The fact is, I can’t fool you, any one of you.
It simply isn’t fair to you or me. The worst crime I can think of would be to rip people off by faking it and pretending as if I’m having 1. Sometimes I feel as if I should have a punch- in time clock before I walk out on stage.
I’ve tried everything within my power to appreciate it (and I do, God, believe me I do, but it’s not enough).”When he does address his wife and daughter, it’s in the third person. An odd choice for a suicide note.
At the end, he quotes Neil Young—“It’s better to burn out than to fade away”—then signs off “Peace, love, empathy.”There are an additional four lines scrawled at the bottom of the note, in what appears to be completely different handwriting: “Frances and Courtney, I’ll be at your altar. Please keep going Courtney, for Frances. For her life, which will be so much happier without me.
I LOVE YOU, I LOVE YOU!”While it’s remotely possible that Kurt’s handwriting was affected by the drugs or his mood, there’s something odd in the complete change of tone (and what exactly does “I’ll be at your altar” mean?) Handwriting analysis of the note has been inconclusive. There are other questions—Why was the ejected shell of the shotgun found to the left and not the right of the body?
When Courtney found out that Kurt fled rehab, why did she contact a private eye and not the police first? Why were the private eye and the police told to watch a drug dealer’s house and check hotels for Kurt, but not told that the nanny Michael De.
Witt had seen him at the house? Why was a good friend of Courtney Love’s appointed as examining physician? Yet another odd twist. In 1. 99. 6, a punk musician named Eldon “El Duce” Hoke claimed that three years earlier, Courtney Love had offered him $5.
Kurt Cobain. Hoke even passed an on- screen polygraph test with his claim in Nick Broomfield’s documentary Kurt & Courtney. Eight days after the polygraph test, Hoke was found dead on a railroad track outside L. A. These unresolved strands have been woven into conspiracy theories that still provoke heated discussion today among fans and friends.
Ironically, the one who’s been most outspoken about a murder conspiracy is Tom Grant, the private investigator who Love hired. In 2. 00. 5, in an interview with Uncut, Cobain’s longtime friend Kim Gordon, of Sonic Youth, said she believed that Kurt was murdered. It’s clear that Kurt Cobain was thinking about a change of life—quitting the music business, divorcing Courtney Love. Always a reluctant rock star, he was obsessed with his own artistic obsolescence. In the months before he died, he told friends, “I’m just recycled Lennon” and “It’s impossible for me to look into the future and say I’m going to be able to play Nirvana songs in 1. There’s no way. I don’t want to have to resort to doing the Eric Clapton thing.”At the same time, it’s also known that he had a lifelong struggle with depression and drug use. As Cobain’s mother, Wendy O’Connor, told Entertainment Weekly, “Kurt’s problems were ongoing, and we struggled with them for years.
I talked him through so many nights. He was probably a mis- or undiagnosed depressive, which runs in my family … The way I explain it is, have you ever been hit in the stomach and lost your breath? It’s a horrible, panicky situation. Can you imagine being in that state of mind—in that state of anxiety and fear—for years?
He was a wonderful person, but he just couldn’t stand the pain anymore.”—By Bill De. Main—From Performing Songwriter Issue 9. Jim Morrison, Sam Cooke, Jeff Buckley and Kurt Cobain. Photos © John Van Hasselt/Corbis & Scott Weiner/Retna. Category: Best of PS.
Montage of Heck and the Impossible Kurt Cobain - - Vulture. About a half hour into Brett Morgen’s new documentary Montage of Heck, the camera lingers on a note written in the slanted, scratchy handwriting of a teenage Kurt Cobain. It’s intended for his first girlfriend, Tracy Marander, with whom he lived for a little while in Olympia, Washington, while he was first putting together a band he briefly thought of calling Man Bug or Fecal Matter before finally settling on Nirvana. Don’t read my diary when I’m gone,” the note says. Then, just below it, in the same script: “When you wake up, please read my diary. Look through my things, and figure me out.” What are we to make of this contradiction? What is its tone?
Sarcastic? Playful? Needy? Marander hints that it might be all of the above, but the only person who can really tell us for sure has been gone now for 2.
В This note takes on an eerie double meaning as soon as Morgen films it, though; in that moment, you almost get this sense that Cobain is communing directly with the filmmaker — or even you, the viewer, who has purchased a ticket to the film and may or may not have also shelled out $2. Cobain’s published journals. In the works since 2. Courtney Love gave the director access to a private storage unit of Cobain’s belongings, including 1.
Montage of Heck is the result of Morgen’s trip through Cobain’s archives — seven years of looking through his things and trying his best to figure him out. In the two decades since his suicide, a small cottage industry has developed that mythologizes Cobain’s despair and plumbs every last corner of his archives for insight into his life and death. Beyond the journals — and the perennially reprinted T- shirts and dorm- room posters — there have been countless Nirvana- related books (the most respected and authoritative of which is Charles Cross’s 2. Heavier Than Heaven), and a few films that purposely played fast and loose with the truth (the provocatively pulpy Kurt & Courtney, Gus Van Sant’s fictionalized fever- dream Last Days). Montage of Heck is the first documentary claiming to tell some approximation of the actual story, and the first one to bear that dubious adjective “authorized.” In a scene that Morgen includes with what I’m sure is at least a pinch of irony, we’re reminded of what Cobain and his widow Courtney Love thought of the writers who previously sought to tell some version of the story without permission: “You have absolutely no fucking idea what you’re doing,” Cobain wrote in 1. Britt Collins, who was attempting to write an ill- fated book called Nirvana: Flower Sniffin’, Kitty Pettin’, Baby Kissin’ Corporate Rock Whores. I will make your life a living hell on earth because we will sue the shit out of you.”With the cooperation of Love and daughter Frances Bean Cobain (who recently admitted that she’s not a Nirvana fan, with a sort of free- spirited candor that probably would have made her dad proud), Morgen has certainly uncovered a treasure trove of Cobain ephemera.
And what’s most striking about Montage of Heck is just how much of his short life Cobain actually wrote down — and recorded and drew and, most important, preserved. Cobain saved everything, apparently, and some of the scrawled- down fragments that Morgen uncovers and artfully animates into the film feel almost too good to be true. Consider that this list actually exists: Smells Like Teen Spiritneeded. School Gym. 2. Cast of a Hundred Students, 1 custodian. Cheerleader outfits with Anarchy A on chest. Access to abandoned mall.
The Cobain of Montage of Heck comes off as someone with a relentless drive for self- expression, but also for even everyday forms of self- documentation. Those 1. 08 storage- unit tapes, as it turns out, are not dozens of hours of unreleased Nirvana demos, but instead noisy sonic collages that feature fragments of found sound interspersed with recorded phone calls and occasional bits of Cobain telling — as if to a phantom therapist — stories of formative childhood memories. Who were these tapes intended for, exactly? Is this how artfully lonely teenagers spent their evenings before Tumblr?) They’re so intimate that it feels a little uncomfortable to be listening to them, but in a strange way, it also feels like Cobain wanted someone to stumble upon them, too.
They ooze with this youthful desire to be heard, which Cobain never had the privilege of outgrowing. Again, an unresolvable tension emerges between Don’t read my diary and Look through my things, figure me out.
As devotees of the eternally 2. Cobain know all too well, this contradiction is at the center of almost everything he did — and everything he left behind.
Morgen — who’s best known for the similarly poetic, memoirish Robert Evans doc The Kid Stays in the Picture. В — tells Cobain’s story in the closest possible approximation to his subject’s aesthetic. He animates Cobain’s dark doodles with twitches and blood spurts, and through vintage anatomy- class B- roll, draws a (literally) visceral connection between the singer’s chronic stomach pain and the fury of his most guttural screams. I would give up anything to have good health,” Cobain says at one point, but in the next breath, he takes it back, admitting that his stomach pain “helps [him] create.”) It works most of the time, but there are certainly times when Morgen’s heavy stylization becomes overwrought. There were a few too- earnest moments on the soundtrack — a plinking lullaby rendition of “All Apologies” accompanying Cobain’s early home movies; an operatic choir arrangement of “Smells Like Teen Spirit” that overdramatizes the band’s sudden rise to fame — during which I could easily imagine Cobain rolling his eyes.“THE MOST INTIMATE ROCK DOC EVER,” proclaims the Rolling Stone pull- quote on Montage of Heck’s DVD screener, but it’s that very feeling of familiarity between film and subject that left me feeling a little uneasy.
Something about Montage of Heck’s conjured, artfully crafted intimacy tricks us into thinking we know Cobain better than we actually do — which tricks us into thinking we can finally make some kind of neat, cause- and- effect sense of his death. While watching the film, I kept thinking about The Silent Woman, Janet Malcolm’s great book about Sylvia Plath and the problems with biographies that purport to speak for the mythologized dead. In an early chapter, she reminds us that the term authorized, while it seems to bear some sort of mark of absolute truth, really just means that the biographer was working with a certain degree of cooperation with the deceased’s family — helping put their particular, sanctioned version of him out into the world. It’s worth remembering that there are other versions out there, too. Rather egregiously, Morgen’s film contains no interview footage of Dave Grohl (and almost too much Krist Novoselic), and though he’s said recently that this was his stylistic choice, it’s hard to believe that this has nothing to do with Courtney Love. If you want Grohl’s side of the story, look no further than the Seattle episode of his series Sonic Highways, which — touché — egregiously excludes any mention of Courtney Love.) Montage of Heck can’t possibly shoot from all the angles; it can’t possibly represent every version of its endlessly prismatic subject.
The truest version of Kurt Cobain is somewhere in the spaces between the millions of words that have been written about him, at once embarrassed and deeply delighted that we’re still rifling through his diaries, trying to figure him out.